| Main Menu |
| | Home |
| | j Blog |
| | | Possible Rueda Class this Friday |
| | | Recent Popular Salsa & Bachata Songs |
| | | If They Can Dance, Does It Mean They're Good In The Sack? |
| | | Salsa In San Ramon |
| | | How Would Salsa-Dancing Couples Make It Work? |
| | | Some Good Salsa Beats |
| | | Some Really Caliente Salsa Beats |
| | | Crushing Over a Dancer? |
| | | How I Gave Up On Bachata |
| | | Do Salsa Bullies Exist? |
| | | A Moment in the DJ Booth |
| | | Who's Better, The Leader or Follower? |
| | | Perfection vs. Having Fun |
| | | The Salsera Hook-Up |
| | | You Salsa Floor Monger! |
| | | Falling for the Wrong Salsa Hottie |
| | | Salsa Tag Team |
| | | The Real Look of Shboom |
| | | Why A Man Should Bachata |
| | | Sales & Marketing |
| | | A Night at Baile Del Amor |
| | | Pajama Day |
| | | Experience is not a must, but desire is in order to be a good salsa dancer |
| | | Holding Back in Bachata |
| | | Club La Luna Azul Review |
| | | Meetup with jSmoothSalsa |
| | | The Suave Guy |
| | | She Could've Said No |
| | | jSmooth Salsa on MySpace |
| | | What's Mother's Day to You? |
| | | El Bombazo |
| | | Standing Out |
| | | Mountain Salsa Dance |
| | | Fish Bowl Prank |
| | | SG Field-Trips |
| | | Hospitality |
| | | Not Enough Men |
| | | Running from The Law |
| | | The Evolution of Wachata |
| | | Flying Woes |
| | | Learning To Lead Again |
| | | The Greatest Form of Flattery |
| | | Flying Woes (Again) |
| | | "How's Your Weekend?" |
| | | SG Booth at Congress |
| | | SF Congress in Review |
| | | Twelve |
| | | Feather Choosing |
| | | The 81th Birthday of Mr. Maracas |
| | | Birthday w/ Jeison |
| | | The Wrong Side of Town |
| | | A Very Generous Donation |
| | | Those Mac users think they're so cool |
| | | You are not my friend |
| | How To... |
| | | Approaching Private Lessons
There are two things you should think about before... |
| | | | Picking The Right Private Dance Instructor |
| | | | Deciding Whether Private Lessons Are For You |
| | | Buy Dance Shoes
Tips on what to think about when you decide to bec... |
| | | | Buying Dance Shoes |
| | | Competing In Competitions
Thought about competing? The following are things ... |
| | | | 1. Competing: It Starts As An Idea |
| | | | 2. Laying It All Out: Planning & Preparation |
| | | | 3. Halfway There: Putting A Routine Together |
| | | | 4. Almost There: Hours Before The Competition |
| | | | Creating Your Own Music Mix |
| | | | 5. Day of Judgment: Concepts to Keep In Mind |
| | | | 6. The Results Are In: Sportsmanship |
| | | Learning How To Salsa
Here you will find a detailed guide on the steps t... |
| | | | Learning How to Salsa: Introduction |
| | | | Stage 1-1: Understanding The Steps & Foot Placement |
| | | | Stage 1-2: Technical Elements Involved In The Basic Steps |
| | | | Stage 1-3: Concepts When Dancing With Partners |
| | | | Stage 2-1: Fundamentals of Moves & Patterns |
| | | | Stage 2-2: Pattern Development |
| | Salsa Patterns |
| | | Checks
Patterns that causes the leader or follower to sto... |
| | | | Crossbody Inside Turn Check to Crossbody Inside Turn |
| | | | Hook Turn w/ Leader Left Turn |
| | | | Crossbody Inside Turn Check, to Reverse Inside Turn Check, to Crossbody Outside Turn |
| | | | Crossbody Wrap to Broken Arm Position |
| | | | Open Break to Pass-By followed by Wrap-Check |
| | | | Inside Turn Shoulder Check, to Right Hook Turn |
| | | | Sliding Check |
| | | | Inside Turn Check Series |
| | | | Inside Turn Check to Right Hook Turn, Right Broken-Arm |
| | | | Inside Turn Check to Inside Turn w/ Left Hook Turn |
| | | | Inside Turn Check to Traveling Inside Turn, Wrap to Hammerlock Position |
| | | | Inside Turn Check w/ Linked Hands to Travelling Left Turn |
| | | | Open Break Inside Turn Check, to Outside Turn |
| | | | Open Break Inside Turn Check, Lead Right Hook Turn |
| | | | Arm-In-Hand Check |
| | | | Arm-Lock Check to Crossbody Lead w/ Momentum |
| | | | Break to Butterfly Position-Broken Arm to Lead Right Turn |
| | | | Break to Butterfly Position-Broken Arm to Lead Right Turn linked to Cross Lead Shadow Inside... |
| | | | Broken-Arm Checks w/ Styling |
| | | | Broken Arm Check to Lead Right Turn Tunnel |
| | | | Broken Arm Inside Turn for Double Checks |
| | | | Chest Checking to Free Outside Turn |
| | | | Crossbody In Butterfly Position to Inside Turn to Right Broken-Arm w/ Exit |
| | | | Crossbody Inside Turn-Check to Follower's Fan |
| | | | Crossbody Lead w/ Lead Right Turn for Hold Switch for Break for Butterfly Check |
| | | | Crossbody Inside Turn Check, to Grapevine Step to Right Broken-Arm Position |
| | | | Cross Hold Lead Shadow to Inside Tun Check to Outside Turn |
| | | | Cross Hold Line Break, Inside Turn Back-to-Back Check |
| | | | Cross Shoulder Checks |
| | | | Crossbody Shadow to Cross Hold Neck-Checks |
| | | | Crossbody Inside Turn to Check, to Walk-Around to Free Inside Turn |
| | | | Crossbody to Inside/Outside Series of Checks |
| | | | Double Outside Turn to Butterfly Check |
| | | | Flared Butterfly Check to Hip-Pulled Left Turn |
| | | | Hammerlock Position to Check Series Followed by Double Right Turns |
| | | | Hammerlock Position to Outside Turn by Left Shoulder |
| | | | Inside Turn, Broken-Arm Check to Inside Turn Stomach-Wrap Check |
| | | | Inside Turn Check to Dual Turns |
| | | | Inside Turn Check to Cross Double Outside Turn |
| | | | Inside Turn Check to Double Outside Turn |
| | | | Inside Turn Check w/ Lead Right Hook Turn |
| | | | Lead Left Hook Turn to Inside Turn Check |
| | | | Open Break to Right Broken-Arm Check to UnCheck Left Turn |
| | | | Reverse Crossbody, Right Broken-Arm w/ Flare |
| | | | Lead Left Turn w/ Reverse Cross-body Check |
| | | | Neck Locks to Butterfly Check |
| | | | Reverse Cross Hold Wrap to Free Inside Turn |
| | | | Reverse Cross-body Check to Head Roll |
| | | | Reverse Crossbody, Right Broken-Arm w/ Flare |
| | | | Right-Broken-Arm Lock Position to Right Hook Turn w/ Hand Throw |
| | | | Romanian Check |
| | | | Shadow Checks |
| | | | Shadow Check with Follower Leg Kick |
| | | | Shadow Position to Butterfly Check to Outside Turn |
| | | | Shadowed Butterfly Break |
| | | | Side Checks w/ Flare* |
| | | | Side Wrap to Neck Checks |
| | | | Single Cross Hold, Crossbody Inside Turn to Right Broken-Arm, to Crossbody Inside Turn Check-Wrap... |
| | | Crossbody Leads
Patterns where the main basis of movement is the c... |
| | | | Left Turn to Hairbrush |
| | | | Reverse Crossbody Outside Turn |
| | | | Crossbody Outisde Turn and Hairbrush |
| | | | Crossbody Turn to Broken-Arm Position |
| | | | Reverse Crossbody Left Turn |
| | | | Crossbody Series w/ Right Hook Turn |
| | | | Crossbody w/ Turns |
| | | | Crossbody Double-handed Turn to Inside Turn Check |
| | | | Crossbody Inside turn to Lead Right Hook Turn |
| | | | Crossbody Lead w/ Left Turn, followed by Crossbody Free Inside Turn |
| | | | Double Broken-Arm Position Inside Turn |
| | | | Twisted Arm-Lock To Cross-body Butterfly |
| | | | Right-Handed Neck Wrap to Lead Flared Broken-Arm Inside Turn |
| | | | Open Hold, Crossbody Inside Turn w/ Linked Hands; Lead Right Turn (with linked hands) to ... |
| | | | Open Hold, Crossbody Inside Turn w/ Linked Hands, w/ Lead 1.5 Left Turn for Travelling Inside Turn |
| | | | Lead Left-Broken-Arm For Right Underarm Fan |
| | | | Lead Half Left Turn to Double Outside Turn |
| | | | Inside Turn w/ Lead Squatting Turn |
| | | | Inside Turn w/ Lead Left Turn + Leg Sweep |
| | | | Crossbody, Inside Turn to Right Broken arm Position with Linked Hands |
| | | | Inside Turn to Neck Check, Followed by Crossbody Outside Turn To Open Break |
| | | | Inside Turn to Butterfly Position |
| | | | Half Outside Turn w/ Hands, to Left Turn w/ Neck Loop, to Crossbody Lead to Gun Draw Position... |
| | | | Double Head-Lock to Cross-body Inside Turn |
| | | | Cross-hold to Follower Left Broken Arm,Cross-body Inside Turn |
| | | | Cross Hold, Inside Turn Wrap-Check to Free Inside Turn |
| | | | Cross-body Wrap to Tunnel Exit & Turn |
| | | | Cross-body Wrap Check to Double Outside Turn |
| | | | Cross-body Lead w/ Release for Right Turn Challenge Position |
| | | | Cross-body w/ Lead Right Turn to Left Broken Arm |
| | | | Crossbody w/ Lead Left Turn to Right Broken-Arm and Left-Armed Arm-Fan |
| | | | Cross-body w/ Lead Left Turn to Right Broken Arm |
| | | | Cross-body Left Turn w/ Right Turn Exit |
| | | | Crossbody Pass w/ Lead Right Turn (Hand Connected) |
| | | | Cross-body Left Turn w/ Left Turn Exit |
| | | | Cross-body Left Broken-Arm Turn to Right Broken-Arm |
| | | | Cross-body Left Broken-Arm Turn |
| | | | Crossbody Lead in Butterfly Position |
| | | | Cross-body Lead |
| | | | Cross-body Inside Turn Head Roll w/ Left-Arm Hold |
| | | | Cross-body Inside Turn in Butterfly Position |
| | | | Cross-body Inside Turn w/ Double Turn |
| | | | Cross-body Inside Turn |
| | | | Crossbody Head-Loop w/ Follower Inside Turn |
| | | | Crossbody, Free Right Turn w/ Flare |
| | | | Cross Hold, Crossbody Wrap to Crossbody Inside Turn |
| | | | Crossbody Lead w/ No Lead Turn |
| | | | Crossbody Lead w/ Lead Right Turn |
| | | | Crossbody Inside Turn by Right Waist |
| | | | Crossbody Inside Neck Turn |
| | | | Cross Hold, Crossbody Lead to Butterfly Position to Outside Turn |
| | | | Butterfly Hold, Crossbody Inside Turn w/ Linked Hands to Wrap, to Travelling Outside Turn |
| | | | 3-Count Crossbody Lead to Travelling Inside Turn |
| | | | 3-Count Crossbody Lead |
| | | Dips
Patterns that involve have the dance partner dropp... |
| | | | Surprise Dip |
| | | | Knee Dip |
| | | | Open Dip |
| | | | Dip from Right Underarm Step |
| | | | Dip from Cross-body Inside Turn |
| | | | Cross-body Wrap to Tunnel to Lead Wrap to Inside Turn to Dip |
| | | Other
Patterns that fit no specific basis of movement. |
| | | | The Walk |
| | | | Back-2-Back |
| | | | Left Turn to Double Windmill |
| | | | Magic Trick with Crossbody Lead w/ Right Turn |
| | | | Open Break to Butterfly Position, to Reverse Hold Inside Turn Check |
| | | | Single Two-Armed Head Loop |
| | | | Shadow Position w/ Hook Turn Exit |
| | | | Boxed Shadow w/ Exit |
| | | | Arm Fan w/ Windmill |
| | | | Booty Check |
| | | | Booty Grab with Shimmy (Follower's Flare) |
| | | | Booty Roll |
| | | | Broken-Arm Hammerlock to Inside Turn Check to Outside Turn |
| | | | Broken-Arm Position, Dual Turn |
| | | | Butterfly Back Step to Forward Butterfly Turn |
| | | | Butterfly Position w/ Hip Roll |
| | | | Butterfly Wave |
| | | | Competition-Style Single Armed Hold to Reverse Crossbody Butterfly Position |
| | | | Crossbody Shadow w/ Booty Roll |
| | | | Double Arm Fan * |
| | | | Gun Draw w/ Women's Styling |
| | | | Head Loop Series |
| | | | Horn Lock |
| | | | Lead Right Hook Turn w/ Hold Switch, to Right-Armed Arm-Fan w/ Stepped Right Turn - Hand Catch,... |
| | | | Lead Wrap to Butterfly to Right Arm Neck Wrap To Outside Turn |
| | | | Line Open Break to Dual Shadow to Inside Turn |
| | | | Lover's Dance |
| | | | Open break Leg Flare |
| | | | Outside Turn to Lead Slide-down w/ Exit |
| | | | Outside Turn to Shadow Fan |
| | | | Reverse Hammerlock Tunnel |
| | | | Reverse Hammerlock w/ Right Hook Turn |
| | | | Right Broken-Arm Tunnel w/ Left Turn Exit |
| | | | Shadow Position Arm Movements to Arm-Fan |
| | | | Shadow Series |
| | | | Tunnel from Left-Sided Wrap to Left Broken-Arm to Butterfly Check |
| | | | Walk-Around Follower to Shines to Outside Turn Exit |
| | | | Walled Shadow |
| | | | Window w/ Run-Through |
| | | Reverse Crossbody Lead
Patterns where the reverse crossbody lead is the b... |
| | | | Reverse Crossbody, Travelling Outside Turn w/ Linked Hands. Open Break to Inside Turn Wrap-Check |
| | | | Open Break, Reverse Crossbody Outside Turn. Open Break to Lead-Out Turn |
| | | | Break to Double Turn |
| | | | Reverse Crossbody Butterfly Position to Outside Turn |
| | | | Crossbody Travelling Free Inside Turn |
| | | | Cross Hold, Outside Turn to Hair Brush |
| | | | Hammerlock Positioned, Reverse Crossbody Inside Turn to Wrap |
| | | | Inside Turn Check to Outside Turn Check-Wrap w/ Exit |
| | | | Inside Turn to Right Hook Turn & Follower's Styling |
| | | | Inside Turn Through Broken-Arm Positions |
| | | | Inside Turn to Shoulder Inside Turn |
| | | | Open Break To Hold Switch to Reverse Crossbody Outside Travelling Turn w/ Lead Right Turn |
| | | | Outside Turn to Shadow w/ Exit |
| | | | Reverse Crossbody 3.5 Turns |
| | | | Reverse Crossbody Double Outside Turn, In Cross Hold |
| | | | Reverse Crossbody to Shadow, Outside Neck Turn |
| | | | Reverse Cross Hold, Butterfly Position to Reverse Crossbody Outside Turn w/ Linked Hands to ... |
| | | | Reverse Crossbody Double Outside Turn, In Cross Hold, to Lead Left Hook Turn to Crossbody Lead w/ Si |
| | | | Reverse Crossbody Double Right Turn, from Broken Arm |
| | | | Reverse Crossbody Inside Turn from Hair Brush |
| | | | Reverse Cross-body w/ Double Right Turn to Broken Arm |
| | | | Reverse Crossbody, w/ No Lead Turn, to Shadow Outside Turn to Butterfly Position |
| | | | Reverse Crossbody Wrap to Crossbody Inside Turn |
| | | | Right Broken-Arm Walk-Around to Travelling Outside Turn |
| | | | Shadow to Left Hook Turn, w/ Follower's Flare |
| | | | Shadow w/ Fan-Over-Head to Free Turn |
| | | Tricks
Special patterns that can be seen during dance com... |
| | | | Cross-body Neck-Drop to Roll-Over Drop |
| | | | Drop & Hop |
| | | | Flared Break to Pull-In Fan |
| | | | Hip Roll |
| | | | Lead Leg Drop |
| | | | Lead Shadow to Double Neck Wrap & Drop-Down |
| | | | Rope Lock |
| | | | Sensual Shakedown |
| | | | Sensual Frisk on Follower |
| | | | Sensual Dropdown to Double Outside Free Turn |
| | | | Shadow to Side Steps, with Arm-Loops |
| | | | Superman, The |
| | | | Superman w/ Lead Left Turn at End |
| | | | Window to Lead Leg Drop |
| | | Turns
Patterns where the primary step involved is mostly... |
| | | | Under-Arm Turn |
| | | | Pinwheel Turn |
| | | | Crossbody Inside Turn to Check and Pullback |
| | | | Hat Turn |
| | | | Left Under-Arm Step for Traveling Outside Turn |
| | | | 3-Point Turn |
| | | | Arm-Overs to Follower Outside Turn w/ Left-Arm Hold |
| | | | Back-2-Back Butterfly |
| | | | Back-2-Back Shadow to Inside & Left Turn |
| | | | Bowed Turn (similar to pretzel) |
| | | | Broken-Arm Head Loop to Cross-body Lead |
| | | | Broken-Arm Position to Unlock w/ Lead left turn to Free Inside Turn |
| | | | Butterfly Hip Check to Dual Inside Turns |
| | | | Butterfly Turn |
| | | | Cartwheel to Free Inside Turn w/ Flare |
| | | | Cross Hold Line Position for Travelling Inside Turn |
| | | | Crossbody Shadow to Follower's Arm Loops w/ Exit Turn |
| | | | Cross-over Break |
| | | | Cross Hold, Lead Position Switch w/ Half Outside Turn |
| | | | Cross Hold, Lead Right Step For Follower Outside Turn to Butterfly Pose |
| | | | Door Opener |
| | | | Eight Figure Turn |
| | | | Elbow Lock |
| | | | Flared Open Break |
| | | | Free Turn Series 1: Arm Fan to Hand Toss Switch |
| | | | Hammerlock w/ Tunnel to Outside Turns |
| | | | Hammerlock Series 1: Follower Double Outside Turn |
| | | | Head Loop to Presentation |
| | | | Hip Pulled Turn |
| | | | Hook Turn |
| | | | Inside Turn Block to Lead Right Turn |
| | | | Inside Turn from Break, Dual Turn |
| | | | Lead Half-Right Turn For Shadow w/ Follower Outside Turn |
| | | | Lead Left Broken Arm to Follower Outside Turn |
| | | | Lead Left Turn to Broken Arm for Outside Turn |
| | | | Lead Right Turn to Right Hook Turn, With Women's Styling |
| | | | Lead Shadow to Tunnel |
| | | | Lead Hook Turn Series |
| | | | Lead Inside Turn to Arm Fan |
| | | | Lead Shadow to Paired Turn |
| | | | Line Break to 2-Turn Inside Turn |
| | | | Linked Turn (two partners turning simultaneously) |
| | | | Meat Grinder (Linked Hands Turning Series) |
| | | | Neck-Lock Check to Outside Turn |
| | | | New York Turn |
| | | | Open Break to Back-Passing Stepped, Outside Turn |
| | | | Open Break to Passing Flare, To Hip Outside Turn |
| | | | Outside Turn Series w/ Lead Shadow |
| | | | Outside Turn w/ Hand-Drop Pass |
| | | | Outside Turn w/ Linked Hands to Crossbody Inside Turn |
| | | | Outside Turn w/ Linked Hands to Hairbrush |
| | | | Reverse Cross Hold, Crossbody Inside Turn w/ Check to Right Hook Turn |
| | | | Reverse Crossbody, Dual Turn (L:Right, F:Left) |
| | | | Reverse Cross-body Free Turn from Open or Cross Hold |
| | | | Reverse Cross-body Hip Turn w/ Lead Left Turn |
| | | | Reverse Cross-body Inside turn w/ Linked Hands |
| | | | Reverse Crossbody to Shadow w/ Shadow Turn |
| | | | Right Turn w/ Linked Hands to Outside Turn |
| | | | Right Underarm Step to Free Turn |
| | | | Shadow Neck Lock to Free Turn |
| | | | Single Cross Hold, Lead Left Step to Wrap to Double Outside Turn |
| | | | Single Hold Double Spiral |
| | | | Single Slide-off to Free Inside Turn |
| | | | Slide-Off Positioned Outside Turn |
| | | | Underarm Right Step to Inside Turn w/ Lead Double Right Turn |
| | | Walk-Around
Patterns in which the leader of follower travel in... |
| | | | Walk-Around to Crossbody Outside Turn |
| | | | Butterfly Turn to Titanic |
| | | | Right Hook Turn with Arm Flares |
| | | | Arm Lock, Around-The-World to Lead Left Turn |
| | | | Broken-Arm Walk-Around w/ Left Turns |
| | | | Broken-Arm Walk-Around w/ Double Right Turn-Exit For Leader |
| | | | Butterfly Walkaround |
| | | | Crossbody Inside Turn Neck Check to Walk-Around |
| | | | Cross Hold, Cross-body Inside Turn w/ Lead Walk-Around For Double Outside Turn |
| | | | Elbow Walk-Around to Double Outside Turn |
| | | | Butterfly Walk-Around |
| | | | Helicopter to Lead Right Turn |
| | | | Helicopter to Neck Wrap to Crossbody Inside Turn by Thumb Lead |
| | | | Helicopter to Outside Turn |
| | | | Helicopter to Right Head Duck to Outside Turn |
| | | | Lead Side Wrap to Walk-Around w/ Style |
| | | | Mirrors Steps to Flared Basic to Outside Turn |
| | | | Mirror Steps w/ Exit Turns |
| | | | Open Break to Walk-Around |
| | | | Open Hold Outside Turn w/ Linked Hands to Wal |